Following the suess of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US pany on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (fet about the humans here!).
　　The ject never materialised, but Diego Parés, Pablo’s brother, sted to write and draw a ic series based on the screenplay – which so far remains a ruin, as only ps were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been ngenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget duction, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished ic in an exhibition.